Crossword Solver > found answer > POLYPHONY

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polyphony

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The answer POLYPHONY has 3 possible clue(s) in existing crosswords.

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The word POLYPHONY is VALID in some board games. Check POLYPHONY in word games in Scrabble, Words With Friends, see scores, anagrams etc.

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Definitions of polyphony in various dictionaries:

noun - music arranged in parts for several voices or instruments

Music with two or more independent melodic parts sounded together.

POLYPHONY - In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a...

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Keep reading for additional results and analysis below.

Possible Crossword Clues
Music institution once fraudulent
College once introducing pretentious style of music
Old college not genuine? Conflicting noises perhaps here?

Last Seen in these Crosswords & Puzzles
Dec 7 2018 The Telegraph - Cryptic
Dec 23 2008 The Guardian - Cryptic crossword
Dec 21 2000 The Times - Cryptic

Possible Dictionary Clues
Music with two or more independent melodic parts sounded together.
the style of simultaneously combining a number of parts, each forming an individual melody and harmonizing with each other.
music arranged in parts for several voices or instruments
music in which several different tunes are played or sung at the same time
The style of simultaneously combining a number of parts, each forming an individual melody and harmonizing with each other.

Polyphony description
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work. In particular, polyphony consists of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, which is called homophony. * Within the context of the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the species terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "successive composition", where voices were written in an order with each new voice fitting into the whole so far constructed, which was previously assumed. * The term polyphony is also sometimes used more broadly, to describe any musical texture that is not monophonic. Such a perspective considers homophony as a sub-type of polyphony.

Polyphony description

In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work. In particular, polyphony consists of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, which is called homophony.
* Within the context of the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the species terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "successive composition", where voices were written in an order with each new voice fitting into the whole so far constructed, which was previously assumed.
* The term polyphony is also sometimes used more broadly, to describe any musical texture that is not monophonic. Such a perspective considers homophony as a sub-type of polyphony.

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