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conducti

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Possible Dictionary Clues
A musical setting of a metrical Latin text, of the 12th or 13th century.

Conducti might refer to
In medieval music, conductus (plural: conductus) is a type of sacred, but non-liturgical vocal composition for one or more voices. The word derives from Latin conducere (to escort), and the conductus was most likely sung while the lectionary was carried from its place of safekeeping to the place from which it was to be read. The conductus was one of the principal types of vocal composition of the ars antiqua period of medieval music history. * The form most likely originated in the south of France around 1150, and reached its peak development during the activity of the Notre Dame School in the early 13th century. Most of the conductus compositions of the large mid-13th-century manuscript collection from Notre Dame are for two or three voices. Much of the surviving repertoire is contained in the Florence Manuscript and also the manuscript Wolfenbüttel 1099. Conductus are also unique in the Notre Dame repertory in admitting secular melodies as source material, though sacred melodies were a

Conducti might refer to

In medieval music, conductus (plural: conductus) is a type of sacred, but non-liturgical vocal composition for one or more voices. The word derives from Latin conducere (to escort), and the conductus was most likely sung while the lectionary was carried from its place of safekeeping to the place from which it was to be read. The conductus was one of the principal types of vocal composition of the ars antiqua period of medieval music history.
* The form most likely originated in the south of France around 1150, and reached its peak development during the activity of the Notre Dame School in the early 13th century. Most of the conductus compositions of the large mid-13th-century manuscript collection from Notre Dame are for two or three voices. Much of the surviving repertoire is contained in the Florence Manuscript and also the manuscript Wolfenbüttel 1099. Conductus are also unique in the Notre Dame repertory in admitting secular melodies as source material, though sacred melodies were a

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