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svaraj

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Definitions of svaraj in various dictionaries:

noun - self-government in British India

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Svaraj might refer to
Swara (Hindi स्वर), also spelt svara, is a Sanskrit word that connotes a note in the successive steps of the octave. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch.The swara differs from the shruti concept in Indian music. A shruti is the smallest gradation of pitch that a human ear can detect and a singer or instrument can produce. A swara is the selected pitches from which the musician constructs the scales, melodies and ragas. The ancient Sanskrit text Natya Shastra identifies and discusses twenty two shruti and seven swara. The swara studies in ancient Sanskrit texts include the musical gamut and its tuning, categories of melodic models and the raga compositions.The seven notes of the musical scale in Indian classical music are shadja (षड्ज), rishabha (ऋषभ), gandhara (गान्धार), madhyama (मध्यम), panchama (पञ्चम), dhaivata (धैवत) and nishada (निषाद). These seven swaras are shortened to Sa, Ri (Carnatic) or Re (Hindustani), Ga, Ma, Pa, Dha, and Ni. Collectively these notes are known as the sargam (the word is an acronym of the consonants of the first four swaras). Sargam is the Indian equivalent to solfege, a technique for the teaching of sight-singing. The tone Sa is, as in Western moveable-Do solfège, the tonic of a piece or scale.

Svaraj might refer to

Swara (Hindi स्वर), also spelt svara, is a Sanskrit word that connotes a note in the successive steps of the octave. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch.The swara differs from the shruti concept in Indian music. A shruti is the smallest gradation of pitch that a human ear can detect and a singer or instrument can produce. A swara is the selected pitches from which the musician constructs the scales, melodies and ragas. The ancient Sanskrit text Natya Shastra identifies and discusses twenty two shruti and seven swara. The swara studies in ancient Sanskrit texts include the musical gamut and its tuning, categories of melodic models and the raga compositions.The seven notes of the musical scale in Indian classical music are shadja (षड्ज), rishabha (ऋषभ), gandhara (गान्धार), madhyama (मध्यम), panchama (पञ्चम), dhaivata (धैवत) and nishada (निषाद). These seven swaras are shortened to Sa, Ri (Carnatic) or Re (Hindustani), Ga, Ma, Pa, Dha, and Ni. Collectively these notes are known as the sargam (the word is an acronym of the consonants of the first four swaras). Sargam is the Indian equivalent to solfege, a technique for the teaching of sight-singing. The tone Sa is, as in Western moveable-Do solfège, the tonic of a piece or scale.

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